Spitting Ink talks to Vicki Grant, author of Silverbirch awarded "Quid pro Quo" and "The Puppet Wrangler"!
September 25, 2006
1. Which of your current two books do you like best?
That's always a hard question to answer. I feel disloyal choosing one over the other. For me, too, they're all such different books. I like them for different reasons, the way you might like one friend because she's funny and another friend because she knows how to listen. So I can't really give you a favourite book.
I can say that I feel closest to The Puppet Wrangler because it was my first book and based - loosely of course! - on my own experience. I like Quid pro Quo because it's a more exciting book with characters I'm anxious to get back to. (I already have ideas for two more "Cyril MacIntyre" books.)
2. Which character in either book do you like best, or relate most to? Are any of them based on people you know?
The character I relate to most is probably Telly in The Puppet Wrangler. I was not (and still am not) shy or tall but I did feel
left out by my family. I was also sent away when I was twelve to stay with a crazy relative (in this case, my grandmother.) Nothing bad had happened in my family. My mother just thought I should get to know my grandmother.
Unfortunately, I got the feeling Mum didn't bother okaying that with my grandmother first. Gaggy (as we called her) wanted nothing to do with me. She fed me porridge in the morning and then kicked me out of the house for the rest of the day. She had no interest in me whatsoever. I don't believe that I'd ever been disliked before. It was all the more confusing because Gaggy didn't even know me. The funny thing is that I never even thought of that trip or Gaggy while I was writing The Puppet Wrangler. It was only after it was published and my older brother read it that I saw the connection. He pointed out how I named the town where the bad guy lives "Bousfield". That was my grandmother's maiden name.
I suddenly realized why I had felt so sad a lot of the time while I was writing it. I wasn't imagining how a twelve -year old would feel to be sent off to a strange place where nobody cares about her. I was remembering it.
3. Both of your books feature (pretty much) ordinary kids who get caught up in crazy adventures through strange family events. Where did you get the ideas for them?
Another hard question! I guess the first thing that I'd say is that those two books are each about 50,000 words long so they don't come from one idea. They come from many, many ideas. I can say that the initial idea for The Puppet Wrangler grew out of my years as a television scriptwriter and producer. I was tired of the business, wanted to try something else and decided to write a book. About what? "Write what you know', they always say.
I knew I wanted a kid to be working in the industry. At that point in writing the book, I really had to stop and 'think" about ideas, not just wait for them to come to me. "How do I get rid of the adults?" was the big question (it's always the big question with YA books.) I fiddled around with some lame ideas for a while and then - I don't know how - I just pictured that whole bus scene. The characters were so clear to me after that, that it really became just a process of sitting down and writing. At times, it was almost like I was just describing the movie that was playing out in my head. Other times, of course, it was more of a struggle. A lot of the stuff, too, on rereading wasn't as brilliant as I thought it was and had to be cut out or reworked. But that's just what writing's about. (Believe it or not, I actually love the rewriting stage.)
As for Quid pro Quo, again it started out as a sort of practical idea. I figured kids would be interested in finding out more about the law and - whaddya know?- I just happened to be married to a lawyer. I was in the middle of writing The Puppet Wrangler when the whole first chapter of QPQ just came to me. I opened up another document on my desktop and wrote it down in about 10 minutes. Until that point, I hadn't figured out how I was going to get rid of the adults and realistically give Cyril some legal knowledge.
Unlike The Puppet Wrangler, QPQ then required me to do some research, most of which I could accomplish by nudging my husband just before he fell asleep and asking him what, say, "fiduciary" or "ipso facto" meant. Then, as always, I just had to sit down and write the book.
To tell you the truth, that's where most of my ideas come from - the actual writing. (If you write it, they will come.)
5. What can you tell us about your upcoming book, The Changing Room?
The best thing that I can tell you about it is that it's almost finished! I've spent far too long writing this book. I had a brutal
period of writers block that held me up for months. Thankfully that's all over now. Within the week, I plan to send the completed first draft to my agent. (I want it out of my house!)
It's a comic novel about a girl who gets dumped by her best friend. I don't want to give away more than that. I will, however, send you a short excerpt from the first chapter.
6. Have you always loved to write, or is this something that developed along the way? Who, or what, introduced you to writing?
I've always told stories. I don't think I always wrote. I was, I guess, a creative kid. Always drawing, making things, telling jokes. That lead me to Art College to do graphic design. I realized the design side wasn't my real forte. I was more an "ideas person". I went back to university, finished a Bachelor's degree and a teaching certificate and then tried my luck as an advertising copywriter. That lead to television scriptwriting which lead to my first novel. I guess you could say that I just sort of drifted into writing. That said, I'm very happy my little makeshift raft landed on this particular deserted island.
7. Do you have any advice for budding writers?
Lots! But it's all pretty boring. (Most advice probably is.)
1) The first thing you have to do is write… sit down and write every day, or every week day, or every Saturday - whatever. Don't be afraid/ashamed if a lot of it is bad… I've found that the really bad stuff is a lot closer to the really good stuff than all the boring blah-blah stuff in the middle.
2) Exercise. Seriously. I think one of the best thing for the brain is a good run around the block. You come back with more energy, less buzzy thoughts just hanging around getting in the way and often some great new ideas.
3) Finish what you start… even if that means just bashing out an ending. It might turn out to be complete garbage, wonderful, a great start to something else, or a good lesson on what can go wrong. If you leave it half done, you'll never know. If you're like me, you'll also feel guilty about it. So finish it, put it away for a while and then, whenever you're ready, take another look at it. You might be surprised!
4) Save TV for a little mindless treat at the end of the day. Television can really sap your creative energy. Get your writing done first. Veg out for a while when you're done.
Hope this is some help. I've attached the first chapter of my new book, Pigboy, for a sneak peak. I'll also send along a bit of The Changing Room.
Once again, thank you very much for your time, Ms Grant!